Delissa Reynolds is an American Actor in movies, theatre, and television.
Television work includes a recurring role on Hulu’s WU-TANG: An American Saga, guest appearances on NBC's Manifest, CBS's The Good Fight and FBI: Most Wanted, HBO’s Divorce, Netflix’s Orange is the New Black and Luke Cage, CBS’ Madam Secretary. She has also appeared on NBC’s Law and Order, The Beat, and Deadline.
Recent film work includes supporting roles in Muzzle (John Stalberg, Dir.), A Thousand And One (A.V. Rockwell, Dir.), Two Lives In Pittsburgh (Brian Silverman, dir.), Jerry Schatzberg's The Day The Ponies Come Back, Exp. 36, (Mackenzie Mauro, Dir.), Magic Hour, (Jacqueline Christy, Dir.), work on Halle Berry’s directorial debut, BRUISED, and award-winning shorts Wonder, (HBO, Javier Molina, Dir.) and The Case, (Patrick House, Dir.)
Theatre- NY Credits–Candidate X/COMPASS Octopus Theatricals/Ripetime Co-collaboration, dir. Rachel Dickstein Watermill Watermill Residency, 2021. Take My Hand and Wave Goodbye by Tammy Ryan, New Dramatists Jerry A. Tishman Playwrights Creativity Fund Workshop 2020, dir. Jessi Hill. The Last Days Of Judas Iscariot at both LaMama Experimental Theatre and The Actor’s Studio and Our Lady of 125th Street also at the Actor’s Studio, all directed by Estelle Parsons 2015/2016. She appeared in Joe Pintaro’s Raft of the Medusa (Frank Solorzano, dir.) at the 10th Annual Planet Connections Theatre Festivity, for which she won Best Actress in a Featured Role 2018.  Regional credits include the 2022 world premiere of Dael Orlandersmith's play New Age at Milwaukee Rep. (Jade King Carroll, dir.), Harper Lee’s To Kill A Mockingbird at Bangor’s Penobscot Theatre (Scott RC Levy) 2011, and Romulus Linny’s adaptation of A Lesson Before Dying at Buffalo’s Studio Arena and Rochester’s Geva Theatre's 2001. 

Delissa Reynolds è un'attrice americana di cinema, teatro e televisione. Il lavoro televisivo include un ruolo ricorrente in WU-TANG: An American Saga di Hulu, apparizioni come ospite in Manifest su NBC, The Good Fight e FBI: Most Wanted su CBS, Divorce su HBO, Orange is the New Black e Luke Cage su Netflix, Madam Secretary su CBS, oltre a numerose apparizioni su Law and Order, The Beat e Deadline della NBC.
I recenti lavori cinematografici includono ruoli secondari in Muzzle (regia di John Stalberg), A Thousand And One (regia di A.V. Rockwell), Two Lives In Pittsburgh (regia Brian Silverman), The Day The Ponies Come Back, Exp. 36 di Jerry Schatzberg (regia Mackenzie Mauro), Magic Hour (regia diJacqueline Christy). Lavora in BRUISED debutto alla regia di Halle Berry, e ai cortometraggi vincitori di diversi premi Wonder, (HBO, regia Javier Molina) e The Case, (regia Patrick House).

Theatro- NY Crediti – Candidato X/COMPASS Octopus Theatricals/Co-collaborazione Ripetime, dir. Rachel Dickstein Watermill Watermill Residency, 2021. Take My Hand and Wave Goodbye di Tammy Ryan, Nuovi drammaturghi Jerry A. Tishman Playwrights Creativity Fund Workshop 2020, dir. Jessi Hill. The Last Days Of Judas Iscariot sia al LaMama Experimental Theatre che all'Actor's Studio e Our Lady of 125th Street anche all'Actor's Studio, tutti diretti da Estelle Parsons 2015/2016. È apparsa in Raft of the Medusa di Joe Pintaro (Frank Solorzano, dir.) al 10th Annual Planet Connections Theatre Festivity, per il quale ha vinto la migliore attrice in un ruolo in primo piano nel 2018. I crediti regionali includono la prima mondiale nel 2022 dell'opera teatrale di Dael Orlandersmith New Age a Milwaukee Rep. (Jade King Carroll, dir.), To Kill A Mockingbird di Harper Lee al Penobscot Theatre di Bangor (Scott RC Levy) 2011 e l'adattamento di Romulus Linny di A Lesson Before Dying at Buffalo's Studio Arena e Rochester's Geva Theatre's 2001.